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The Sony A7S series has always been considered the leader in low light at very high ISOs. That said, given the GH5S's intended focus as a professional video camera, it's safe to assume that most users will be cinematographers that utilize manual focus the vast majority of the time. I’ve never seen footage this clear, sharp and natural-looking from a camera as small and affordable as the Panasonic GH5S. The GH5S features an 11.93-megapixel multi-aspect Four Thirds sensor with a maximum output resolution of about 10.2MP in 4:3 mode, yielding about half the pixel count of the regular GH5. Certainly ISO 3200 on my Panasonic S5 looks very similarly clean to ISO 3200 on the new Sony A7S III. Flash enabled, Time from fully pressing shutter button to image capture. 03/20/2018: Field Test Part II posted Note, though, that 60 fps footage comes with a requirement that you record 8-bit, 4:2:0-subsampled content. 10MP resolution is limiting for still photos; No in-body image stabilization; Slower AF than GH5; Buffer clearing could be faster; No 6K Photo features due to sensor resolution. Switching to 14-bit RW2 files (the GH5S is the first Micro Four Thirds camera to offer 14-bit RAW files) reduced RAW and RAW+JPEG frame rates to around 11.6 frames per second, slightly faster than Panasonic's 11 fps spec. The big story surrounding the GH5S is going to be the ISO performance, but there have been other changes to the camera as well. With the exception of the original, the Panasonic G1, all Lumix MFT cameras have also shot video to some extent. This is one of the best video cameras you can buy today, and basically the best video camera at or under $2,500 (the closest competitor camera is the original GH5, and again it depends on what you value more: ISO or IBIS). Unique 12MP Four Thirds sensor improves video quality, especially at higher ISOs, 14-bit RAW support (12-bit still available), High-speed 4K Photo mode captures images at 60fps, Dual UHS-II card slots with hot-swap support, OLED EVF refresh rate bumped up to 120fps, Full sensor-width video capture even at 4K, Weather-sealed and freeze-proof to 14°F/-10°C, Optional hot-shoe-mounted XLR microphone adapter, Good battery life, with slightly increased battery life over GH5, Time code in/out via the PC sync terminal (BNC adapter included), 10MP resolution limiting by modern standards for still images; limits print size, Lower sensor res prevents support for 6K Photo features, Expensive, though a very good value compared to pro-level, dedicated video cameras, Can't record two different video formats simultaneously to each SD card. It allows us to put different LUTs and looks over the footage to do just about anything we want. See the table above. At ISO 12800, the GH5S starts to show muddy colors and the noise grain is larger than that on the A7S II. I'm not sure which is worse. Panasonic Leica DG Nocticron 42.5mm f/1.2 at f/1.2; 1/100 second; ISO 4000. Clearly that's not the case. Panasonic also slightly modified a couple of the quick menus to show the vast number of recording modes a bit more effectively. The GH5S is the first camera in its class capable of recording Cinema 4K (4096x2160) in 60p. Though an ARRI Alexa and a RED Epic are both among the best choices for high-end filmmaking, they aren't the best choice for anything other than that. Getting the main gripe out of the way, we should talk about the lack of in-body image stabilization. Plus, despite its smaller Four Thirds sensor, the GH5S competes quite impressively at high ISO video quality against high-end full-frame cameras. And we're not joking when we say that this camera will pretty much focus in the dark. This connection feels so much better than the micro and mini option of many competitors, making it one of the best options for use on a professional set. Double the battery life, simple as that. For some reason the wider audience won't respect it as much as a Canon, a Nikon or a Sony and that's OK. 2. The GH5S shares many of the same Pros & Cons as the GH5 -- for the full list, see our GH5 Conclusion. So if you want the best-stabilized images and the least possible fuss, you'll want to stick with the GH5. Everything is easy to find and easy to use. Next in the comparison is the Panasonic GH5S vs. the EVA1. Time from fully pressing shutter button to image capture, with Panasonic Leica DG 12-60mm f/2.8-4 zoom lens at medium focal length (~50mm eq.). For much more information on the handling and design, please see our Panasonic GH5 Conclusion. The GH5S has much more room to house those megapixels, which means they can be made much larger than those within the GH5 (1.96x larger). The mix and breadth of what the GH5S can accomplish is even more outstanding given the $2500 price point. As mentioned, the primary changes to the GH5S compared to the standard GH5 is the imaging pipeline. The GH5S is also slightly slower to focus than the GH5, though not to a significant degree. Battery life has increased by 30 frames to some 440 frames with the LCD, but only by 10 frames to 410 shots the EVF, to CIPA testing standards when using the same H-FS12060 lens. But looking below, even the shadows are hard to tell the difference among the three. This is the feature that tells everyone exactly who this camera is targeting—filmmakers, if you still didn’t catch it. The GH5S' prefocused shutter lag time was 0.045 second with the mechanical shutter, which is very fast and actually a bit faster than the GH5's 0.056s. Before we get into the major things that make the GH5S different from the GH5, I wanted to first mention a few small things. Here Are Six Ideas, Introduction to Lens Mounts and Lens Adapters, 10 Tips to Improve Your Aviation Photography, © 2000-2020 B & H Foto & Electronics Corp. 420 9th Ave, New York, NY 10001. Likewise, the A7S II's full-frame sensor leads it to do much better shooting high-ISO still images as well, although the GH5S does deliver surprisingly good images for a Micro Four Thirds camera. The GH5, on the other hand, does have IBIS, which works really well, making handheld video shooting very easy. With respect. Posted by 2 years ago. You can see a great benefit in stills across the board, making it a little unfortunate that we lose some of that resolution. Working with the footage was quite easy. The GH5S has a large LVF (Live View Finder) with a stunningly high magnification ratio of approximately 1.52x/0.76x (35mm camera equivalent) providing smooth display at 120 fps. This scene was lit by three sources: a table light (which was the brightest), a small wall sconce just off camera left, and a very dim chandelier in the rear of the scene. If you already know the GH5, you might as well skip past this section, as the GH5S looks and feels more or less identical to the GH5. As is usually the case, switching to electronic shutter mode actually increased lag, but not by much. So, not only is the A7S II able to be used at one more stop of ISO, it also looks better than the GH5 at every level past 6400. ... As well as being a low light beast, the 10.2mp GH5S sensor is … When shooting 12-bit RAWs, it actually exceeded the 12fps spec. With 14-bit raws, both figures drop by one frame per second. Though from a pure image-making perspective it's superior to the GH5, losing IBIS removes part of what makes the GH5 such an excellent camera. (Bear in mind that since it must keep the floating sensor centered and upright, an in-body IS system operates all of the time, even if to the end user stabilization appears to be "disabled". The GH5S is the first Panasonic Micro Four Thirds camera to offer 14-bit RAW files (GH5 RAW files are 12 bits), and it slightly exceeded their 11fps spec when shooting 14-bit files in the lab. They seem to have done the impossible, and created a camera with a Micro Four Thirds sensor that can out-perform full-frame sensors in ISO performance. When shooting 12-bit RAW or 12-bit RAW + Large/Fine JPEG files, the average frame rate actually exceeded Panasonic's spec, at 12.5 and 13.1 frames per second respectively. Sensitivity tops out by default at ISO 51,200, where the GH5 had an upper limit of ISO 25,600. This provides a slightly wider dynamic range and more color information. That's not to say the GH5S is bad. Physical ... With this technology the model shall be predestinated for video shooting in low light and high dynamic range situations. In low light, the autofocus in Live View took 0.12 seconds, for a total shooting time of 0.19 seconds. It's actually outstanding, and looks much better than just about any other video camera it could be compared to in its class other than the A7S II. The email address you entered was an invalid email. 04/02/2018: Gallery Images posted The other main accessory is the always useful DMW-BGGH5 Battery Grip. & Home App. The native ISO of a camera is the ISO at which the analog signal is converted to a digital signal without being amplified. On the other end of the spectrum, the GH5S uses its ISO 2500 native setting to handle low-light images, which spans everything above ISO 800 all the way to the GH5S’ max ISO of 51,200. (Note that for videos, the aspect ratio options are instead 4:3, 16:9 or 17:9.). Both are about the same speed as the GH5. It's not that it's rare to find us talking about a camera. 10-bit recording is a revolutionary feature for video in mirrorless cameras. In the end, if you're a serious video creator looking for a compact yet feature-packed video camera, the Panasonic GH5S is the one to pick. The 4K video on the GH5S looks so good that stills captured from the 4K footage can pass off as stills. The GH5 managed 0.129 second with the same lens. We're told that there are two main concerns in a camera aimed at professional videographers. capability, either. It also seems like the colors just popped and were more vibrant than standard DSLR/mirrorless 8-bit recordings. Panasonic has turned much of the logic of opting for a full-frame video camera like a Sony A7S II or a Canon 1DX Mark II on its head, and created a product that can give both a serious run for their money. Today, outside of a dedicated cinema camera like an Alexa or a RED, you will find no better filmmaking tool than the GH5S. The $500 price bump for the "S" is absolutely worth it, and the camera is a total steal at US$2,500. And while the AF speed is slightly slower than the GH5, and the lack of in-body image stabilization removes some of what made the GH5 so versatile, the GH5S offers such a wealth of features and high-quality video, that it's easy to overlook these minor points. Other than this, the sensor is outstanding, with very clean output at high ISOs. The GH5S continues the trend, but in doing so makes sure to include all the essential controls, buttons, and dials right on the body. The combination of the new LUMIX GH5S with the Atomos Ninja Inferno 4K monitor / recorder offers multiple shooting solutions, expanding what is possible to do with the new video-centric camera from Panasonic. For the best idea of how they performed against one another, I recommend watching the video above. I'm still trying to wrap my head around the technology that Panasonic packed into the GH5S, especially with its incredible low light, high ISO performance. Not so odd is that the GH5S includes a full-size HDMI port, which should be more appreciated. And as a video camera, the GH5S most assuredly excels. We've mentioned the live view feed a few times, incidentally, but not yet detailed the electronic viewfinder and LCD monitor on which you'll be watching it. Doing some static shots where you want to change focus positions using the touchscreen is quite smooth, though. Buffer clearing, however, is surprisingly sluggish, particularly with RAW files, despite the small, lower-res 10MP size and UHS-II card support. But if you opt instead for the GH5S, you will find that its much broader sensitivity range and lower noise levels allow you to use a higher sensitivity to achieve a faster shutter speed in the first place, so perhaps stabilization won't be needed as often. Imaging Resource © 1998 - 2020. Serv. It looks as clean as a shot I would expect at something like 400 or 800 ISO; it's that good. ISO 51,200 is starting to look like the noise level we saw from the Canon 1DX II at ISO 12,800, so it's acceptable but not "clean." The GH5S does however have a Power Save LVF mode which can increase battery life to a whopping 1,300 shots when using the EVF. Even when you do, the GH5S will still do many tasks better than those high-end cameras. Read on to find out! Should I buy a C300, or four GH5S's? With Dual Native ISO, a specialized sensor design, and the full backing of Panasonic’s video history, the GH5S punches well above its weight. Power comes from a 7.2-volt, 1,860mAh, 14Wh DMW-BLF19 lithium-ion rechargeable battery pack, just as in the GH5. In real-world shooting, however, the AF experience is not drastically different from the GH5. Sure, it's less saturated, but the size of the noise grain is much smaller than that of the GH5S, and overall the sharpness is better on the A7S II. Over the years, the high-end GH-series models then emerged as video-shooting powerhouses, with each successive model adding more and more advanced video recording formats, features, and shooting modes. Overall, despite looking like a tried-and-true Lumix Micro Four Thirds camera, the GH5S is a unique, specialized camera; Panasonic's most specialized Micro Four Thirds camera yet. The GH5S can now also record up to 10x slow motion video in 1080p. And not just a little, but a lot? Sadly, you can't just charge the battery in-camera, though, so you do have to remember to bring the charger along. Low saturation is a good way to hide ISO noise, but I'm not prepared to say that's the reason the A7S II looks so much better. Low-light samples at ISO 6400 (left) and ISO 4000 (right) 10-bit recording is a revolutionary feature for video in mirrorless cameras. The entire range, including the extended settings, is available for stills and video. Time per shot, with no apparent buffer limit. Time per shot, averaged over buffer length of 138 frames, then slows to an average of 0.17s or 5.8 fps with a lot of variation. I was surprised by how clear the low-light capabilities between the two cameras really are. At ISO 12,800 and higher, the GH5S does begin to falter in terms of video image quality compared to the larger-sensored 12MP A7S II. The image sensors used differ radically, with each camera focused on very different needs. Now, Panasonic has decided to create something dedicated entirely to its cine-minded audience: the GH5S. Good to excellent performance for a mirrorless ILC. Sure, RED and ARRI have been making this kind of quality for some time, but those are not what I call "approachable" cameras. Close. The GH5s is a bit different; it has a dual native ISO. In other words, the GH5S has decent autofocus, but it’s not going to blow you away when it comes to fast subject tracking and face detection. When examining the two cameras, the A7S II appears to be a bit less saturated than the GH5S, and that is much more noticeable the higher the ISO we go. When it comes down to it, the folks who will be more inclined to purchase the GH5S are those who already own the GH5. Fortunately, all the statements I made about the stills quality transfers over to its 4K specs. Enter new zip code to refresh estimated delivery time. Although the imaging sensors are different, both models use the same generation of Venus Engine processor. The lower resolution does mean that you won’t get the potential benefits of down-sampling (namely sharper images); however, the images seemed quite sharp and lacked any issues, such as aliasing or moiré. This means that the GH5s sensor has 2 sets of ISO circuitry, each optimized for a different range of ISO. Last updated: 06/21/2019, Table of Contents: (No built-in or bundled flash.). The Panasonic GH5S uses a custom rechargeable lithium-ion battery pack for power, and comes with both a single battery and dedicated battery charger. Take a look at the GH5, shot in VLog, at ISO 6400. The Panasonic GH5S is Still Among the ... Sigma Launches “I Series” with New 24mm, 35mm, and 65mm Mirrorless Lenses, Olympus Releases Lightweight Super-Telephoto Zoom Lens, ZEISS Adds to Premier Binocular Lineup with Impressive Victory SF 32, Hands-On with the Sigma 105mm f/2.8 DG DN Macro Art Lens, What to Do With Your Old Camera? For compositions that require shooting in low-light conditions, Panasonic has also added its Dual Native ISO Technology to the GH5S to reduce noise in the image. Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. Still, the GH5 was designed as a hybrid camera, one that's made for photographers and videographers alike. I'm willing to say that I'd use footage from this scene up to ISO 25,600, but after that it's just a bit too noisy for my taste. With a bottom-end rating of -5EV, the GH5S' AF system should be capable of focusing under partial moonlight, with a sufficiently high-contrast subject! I wouldn't consider this "good" footage. But that's not to say that this is just a camera for the video crowd. Available since February 2018, the Panasonic GH5S is priced at around US$2,500 body-only in the US market. Create a B&H Account, America's Best Customer Service List-Newsweek, Prices, specifications, and images are subject to change without notice. VLog is especially useful thanks to 10-bit recording and improved ISO performance, which allows for the camera's use in some particularly dark environments. Side by side at ISO 12,800, the GH5 and GH5S both produce excellent video. It also plays a part in heat dissipation, an issue we have seen on ultra-compact cameras. The Panasonic GH5s appears to be a pretty nice little upgrade for those who need the expanded ISO, and looking for something to compete with the Sony a7sII in low light conditions. 01/08/2018: Field Test Part I posted The Panasonic GH5S is a spectacular filmmaking device that, I think, checks nearly every box. You can see above that at 4Kp60, both clips are very clean and look quite good. However, the GH5S offers a wider ISO range and a lighter body weight. But at the same time, it'll perform much better than its higher-res twin when shooting video or in low ambient light levels. The GH5S just takes what was good, and makes it even better. Of course, it can still take still photos, but at the end of the day, the GH5S is designed for video and serious videographers. Firstly and more obviously, the IS system itself can make noise that could potentially be picked up on your mics, disrupting your audio track. (Capture frame rates vary from two to 60 or 240 fps for 4K and Full HD respectively, and output rates from 24 to 60 fps.). I can't think of any other video camera that can do as much as the GH5S that has that kind of value. 0. It's a device willing to work with me the creator, and together we are making some truly breathtaking visuals. So it has two native ISOs, and can ramp up the low-light sensitivity from there." Now, the 1DX II isn't known as a low light camera by any means, but one of the major selling points of a full-frame sensor is better low-light performance than smaller sensors. If you're curious how 10-bit, 8-bit and ALL-I compare for post production work, it's generally agreed upon that 10-bit is going to be your best bet. At least in those scenes it appears the overall video quality of the S is comparable to the GH5. Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Camera, Panasonic DMW-XLR1 XLR Microphone Adapter, Atomos Ninja V 5" 4K HDMI Recorder/Monitor. Unveiled at CES 2018 today, the GH5S … The ‘Low ISO’ range from 80 – 800 and the ‘High ISO’ range from 800 – 51200. $2500 for such a masterpiece of a camera is so mind boggling that I think that it even gets ignored, so flabbergasting is that concept. Many would argue that the Panasonic GH-series mirrorless cameras transformed the industry with their compact sizes and professional feature sets. I said that the GH5S is one of the best video cameras ever made, and I of course will catch flack for such a statement. Argue with me all you want about Canon Cinema cameras or Blackmagic equipment, there is no doubt that the GH5S can do anything those cameras could be used for either just as well or better, and for a fraction of the price. You may have noticed that I didn't list a specific sensor resolution just now, incidentally, and simply averred that it was above the ten megapixel mark. Many have considered the GH series to be relatively large, considering its sensor size and mirrorless design. That's a noticeable difference of 2.3 ounces (65g) or almost ten percent, and it hints at a feature subtraction which we'll come back to in just a moment. It's not supposed to be any of those cameras. You can record 4K and Full HD video without clip length limits, including true Cinema 4K or anamorphic content. It offers better video quality, more shooting options, and more advanced video-specific features; it's a tailor-made camera for experienced and professional-level videographers. Additionally, Panasonic also added C4Kp30 in both 8 and 10 bit, which are new when compared to the GH5. And that isn’t the only body change that is helpful to pro video capture. As you can see in the tests, the results at high ISOs are close. Much like the GH5 before it, the Lumix GH5S sports twin SD card slots, compatible with higher-capacity SDHC and SDXC types, as well as higher-speed UHS-I, UHS-II and Video Speed Class 90 cards. Full AutofocusCenter-area AF-S mode The GH5 was, and is, already a fantastic camera for video shooters, but the Panasonic GH5S simply goes above and beyond. Another feature subtraction versus the original GH5 is that the Panasonic GH5S lacks a 6K Photo mode, for the simple reason that it doesn't have sufficient pixels on its sensor to yield a 6K feed. Auto Flash enabled. This makes use of the 10-bit recording for maximum flexibility when you bring it into Premiere or DaVinci Resolve. In order to achieve vastly improved sensitivity, Panasonic dropped the resolution down to just 10.2 megapixels with what they call their Digital MOS Sensor with Dual Native ISO Technology, paired to a Venus Engine 10 image processor. Overall, the GH5S is a brilliant evolutionary step in the GH line. Unleash its full capability by combining it with the Atomos Ninja Inferno 4K monitor / recorder - recording up to DCI 4Kp60 10-bit 4:2:2 over HDMI 2.0 directly into production-ready Apple ProRes or Avid DNxHR on SSD drives. The LCD monitor is still on a side-mounted tilt/swivel mechanism to allow framing from all angles, a favorite design feature among IR staffers. Where images shot with varying aspect ratios on most digicams will also vary in their diagonal field of view, with the Panasonic GH5S it never changes, and that makes choosing aspect ratios is a totally guilt-free experience.

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