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[10], In May 1960, the trio performed at one of the Jazz Profiles concerts, organized by Charles Schwartz. He did not record or perform in public again for several months. [28], Evans was discharged from the Army in January 1954, and entered a period of seclusion triggered by the harsh criticism he had received. You get an appreciation of Bill the man, and his personal idiosyncrasy both dysfunctional, yet extremely creative and complimentary to his own feelings and belief in what he called the ‘Universal Mind.’ The insight’s she shares gives you the awareness that these two souls experience a real feeling of unity. In these, only the bassist was given a written part, while the rest were left, and, according to Farmer, "took the parts at home and tried to come to terms with them". Around his third year in college, Evans composed his first known tune, "Very Early". (...) [It's] merely an alternate keyboard instrument, that offers a certain kind of sound that's appropriate sometimes. This trio would be Evans's last. Bill Evans: Everything Happens to Me: A Musical Biography. Evans started to play an introduction using an ostinato figure. In parallel, Evans kept up his work with Scott, playing in Preview's Modern Jazz Club in Chicago during December 1956–January 1957, and recording The Complete Tony Scott. [6][7] The marriage was stormy owing to his father's heavy drinking, gambling, and abuse. Evans was selected by the Rochester Royals in the fifth round of the 1955 NBA draft, a year before he won gold with the U.S. at the 1956 Olympics in Melbourne, Australia, with Naismith Memorial Hall of Fame teammates Bill Russell and K.C. [71], Evans's career began just before the rock explosion in the 1960s. Some known examples are: "Waltz for Debby", for his niece; "For Nenette", for his wife; "Letter to Evan", for his son; "NYC's No Lark", in memory of friend pianist Sonny Clark; "Re: Person I Knew", an anagram of the name of his friend and producer Orrin Keepnews; "We Will Meet Again", for his brother; "Peri's Scope", for girlfriend Peri Cousins; "One for Helen" and "Song for Helen", for manager Helen Keane; "B minor Waltz (For Ellaine)", for girlfriend Ellaine Schultz; "Laurie", for girlfriend Laurie Verchomin; "Yet Ne'er Broken", an anagram of the name of cocaine dealer Robert Kenney; "Maxine", for his stepdaughter; "Tiffany", for Joe LaBarbera's daughter; "Knit For Mary F." for fan Mary Franksen from Omaha.[78]. He fulfilled his obligations because he needed money, but these were the few moments in his life when he felt comfortable — the times in between must have been depressing, and he barely showed a willingness to live. Finally, in late June 1961 the trio recorded two albums, Sunday at the Village Vanguard, and Waltz for Debby. 59. [50], During the late 1970s, Evans kicked his heroin habit, with the help of methadone, only to become addicted to cocaine. [10], By the end of the summer, Davis knew Evans was quickly approaching his full professional development; and that he would soon decide to leave Davis' group. [10], In parallel with his trio work, Evans kept his work as a sideman. Evans has left his mark on such players as Chick Corea, Diana Krall, Ralph Towner, Herbie Hancock, John McLaughlin, John Taylor, Steve Kuhn, Vince Guaraldi, Don Friedman, Marian McPartland, Denny Zeitlin, Paul Bley, Bobo Stenson, Warren Bernhardt, Michel Petrucciani, Lenny Breau, Keith Jarrett, Vicente Inti Jones Alvarado, and Rick Wright of Pink Floyd, as well as many other musicians worldwide. “Holly Room” by Somi & The Frankfurt Radio Big Band. However, Gretchen Magee claims that the piece had been penned as an exercise during his college years, while Peri Cousins says that he would often play the piece at home. 95. The couple had problems booking in hotels during Evans's gigs, since most of them did not allow inter-racial couples. Answer. \r\nOut of print. "[6], In August 1979, Evans recorded his last studio album, We Will Meet Again, featuring a composition of the same name written for his brother. In the final years of his life, Bill also had to contend with the suicidal death of his older brother, and his attempt to … However, when the album came out, the song was attributed exclusively to Davis. Several collaborations followed, and it was not until 1977 that the trio was able to record an album together. He visited his brother, now in Baton Rouge, Louisiana, recently married and working as a conservatory teacher. [50] It has remained a critical favorite, and is one of two albums Evans made with drummer Jack DeJohnette. [31] During the Brandeis Festival, guitarist Joe Puma invited Evans to play on the album Joe Puma/Jazz. Sometime during the late 1950s, most probably before joining Miles Davis, Evans began using heroin. Bill Goldberg: And [in] this portion of the Miles Davis Festival, we’re fortunate to have with us pianist-composer Bill Evans, and Bill was with Miles in the late ’50s, and he was on that classic recording Kind of Blue, which is still probably one of the best-selling jazz records. Evans, who was already acquainted with these ideas, began to work with Russell in 1956. Herbie Hancock) he never fully embraced the new instrument, and invariably ended up returning to the acoustic sound. In Evans's system, the chord is expressed as a quality identity and a color. [15], In September 1956, producer Orrin Keepnews was convinced to record the reluctant Evans by a demo tape Mundell Lowe played to him over the phone. Evans joined the group in April 1958. [9] Laurie Verchomin has claimed that Evans was clear in mind that he would die in a short time. Bill's willingness to play and work decreased noticeably after the death of Harry, actually it was just the music itself that held him upright. Bill Evans For Lovers: Various sessions and sources Verve: 2005 The Complete Village Vanguard Recordings, 1961: 3-CD box set Riverside: 2005 We Will Meet Again - The Bill Evans Anthology: 2-CD box set Warner Bros. 2009 The Complete Tony Bennett/Bill Evans Recordings: 2-CD box set Fantasy: 2012 My Foolish Heart (compilation, remastered) 45 tracks 2014 Conception: Reissue of 1981 … I hear music differently. Laurie gives you an honest no holds barred account of this period of her life giving you a sense of what Bill found attractive in Laurie. After Morell left, Evans and Gómez recorded two duo albums, Intuition and Montreux III. Although a critical success that gained positive reviews in Down Beat and Metronome magazines, New Jazz Conceptions was initially a financial failure, selling only 800 copies the first year. "[41], Shortly after, he moved back to New York, and in December Evans recorded the trio album Everybody Digs Bill Evans for Riverside Records with bassist Sam Jones and drummer Philly Joe Jones. During one of his concerts at the Jazz Gallery, Evans contracted hepatitis, and had to retreat to his parents' house in Florida. [Quartet] Songtext von Bill Evans mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf Songtexte.com In December 1959 the band recorded its first album, Portrait in Jazz for Riverside Records. This was Evans's most stable, longest-lasting group. However, the band began to find a new, smoother groove, as Adderley noted: "When he started to use Bill, Miles changed his style from very hard to a softer approach. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. See more ideas about Bill evans, Jazz, Jazz musicians. They were musical brothers separated by skin tone. He realized that Evans, who had worked with Russell, could follow him into modal music. Later, they would be posthumously issued as The 1960 Birdland Sessions. [10], Evans soon began to perform in Greenwich Village clubs with Don Elliott, Tony Scott, Mundell Lowe, and bandleader Jerry Wald. Many of his tunes, such as "Waltz for Debby", "Turn Out the Stars", "Very Early", and "Funkallero", have become often-recorded jazz standards. THE BIG LOVE Life & Death with Bill Evans can be purchased on Amazon. Elsa bill evans - Der absolute Testsieger unter allen Produkten. --Bill Evans. Wir haben unterschiedliche Hersteller untersucht und wir zeigen Ihnen als Interessierte hier alle Ergebnisse unseres Vergleichs. Like many, the pull of the Big Apple (New York) was irresistible and I still find it amazing to reflect as did Laurie, that we could just bunk down on someone’s couch until we’d exhausted our stay! Das letzte Trio, das er von 1978 bis zu seinem Tod mit dem jungen Bassisten Marc Johnson und dem Schlagzeuger Joe LaBarbera unterhielt, galt als das beste Evans-Trio nach jenem mit LaFaro und Motian. He quickly developed a fluent sight-reading ability, but Leland considered Harry a better pianist. During college, Evans met guitarist Mundell Lowe, and after graduating, they formed a trio with bassist Red Mitchell. [10] When Evans broke the news to Ellaine, she pretended to understand, but then committed suicide by throwing herself under a subway train. Kaufen Sie Platten, CDs und mehr von Bill Evans auf dem Discogs-Marktplatz. That year, he also recorded The Soul of Jazz Percussion, with Philly Joe Jones and Chambers. Editor’s note: Bill Evans jazz music continues to enrich my life. All three had won the Down Beat poll. Register to get answer. Between 1969 and 1970 Evans recorded From Left to Right, featuring his first use of electric piano. [18] Evans attended North Plainfield High School, graduating in 1946. [13] During high school, Evans came in contact with 20th-century music like Stravinsky's Petrushka, which he called a "tremendous experience", and Milhaud's Suite provençale, whose bitonal language he believed "opened him to new things." However, upon hearing the recording, he changed his mind, and later thought of it in very positive terms.[33]. During this period, he met two of Reed's friends: manager Helen Keane, who became his agent seven years later, and George Russell, with whom he soon worked. He particularly admired Cole. He later abandoned them in part. However, according to Keepnews, who was present, the pianist spontaneously started to improvise over that harmonic frame, creating the recording that would be named "Peace Piece". Views on contemporaneous music tendencies, sfn error: multiple targets (2×): CITEREFPettinger2002 (, Lydian Chromatic Concept of Tonal Organization, "The Two Brothers As I Knew Them: Harry and Bill Evans", "Bill Evans, Jazz Pianist Praised For Lyricism and Structure, Dies; 'In Touch With His Feelings' Trouble With Scales", "Interview with Marian McParland, late 1970s", "Bill Evans - Marian McPartland's Piano Jazz Broadcast (1977 Album)", "High school bands to jazz things up at festival", http://harryevanstrio.com/The_Two_Brothers.pdf, "George Clabin interviews Bill Evans about Scott LaFaro in 1966", "Miles Davis and Bill Evans: Miles and Bill in Black & White", "Chet Baker and Bill Evans The Complete Legendary Sessions Review", "Exploring the Life and Music of Bill Evans", "Eliane Elias: Something for Bill (Evans)", "Marian McPartland's Piano Jazz: Brad Mehldau", Bill Evans entry — Jazz Discography Project, "Bill Evans: Twelve Essential Recordings by Ted Gioia", Bill Evans Time Remembered Documentary Film, Plays the Theme from The V.I.P.s and Other Great Songs, Turn Out the Stars: The Final Village Vanguard Recordings, Consecration: The Final Recordings Part 2, https://en.wikipedia.org/w/index.php?title=Bill_Evans&oldid=987834389, Grammy Lifetime Achievement Award winners, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 9 November 2020, at 14:42. He was 87 years old. [10] Russell was then developing his magnum opus, the treatise Lydian Chromatic Concept of Tonal Organization, in which he argued that the Lydian mode was more compatible with tonality than the major scale used in most music. In early 1960, the trio began a tour that brought them to Boston, San Francisco (at Jazz Workshop club), and Chicago (at the Sutherland Lounge). ","info":"Some track listings on the back of the album are incorrect:\r\ntrack 2 \\\\\\'Gary\\\\\\'s Theme\\\\\\' should be \\\\\\'Laurie\\\\\\'\r\nThanks to Laurie Verchomin to use Bill\\\\\\'s score \u00a9\r\n\r\nBill Evans piano\r\nMarc Johnson bass\r\nJoe LaBarbera drums\r\n\r\nYellow Note records 1989","thumbImg":"https:\/\/jazzineurope.mfmmedia.nl\/wp-content\/uploads\/2019\/04\/Paul-Jost-Simple-Life-Pre-Roll-TN.jpg","youtubeID":"dDDzEPPC_jk","prerollAD":"yes","prerollGotoLink":"http:\/\/bit.ly\/2D5gFvz","preroll_mp4":"https:\/\/jazzineurope.mfmmedia.nl\/wp-content\/uploads\/2019\/04\/Paul-Jost-Simple-Life-Ad-1.mp4","prerollSkipTimer":"10","midrollAD":"no","midrollAD_displayTime":"midrollAD_displayTime","midrollGotoLink":"midrollGotoLink","midroll_mp4":"midroll_mp4","midrollSkipTimer":"midrollSkipTimer","postrollAD":"no","postrollGotoLink":"postrollGotoLink","postroll_mp4":"postroll_mp4","postrollSkipTimer":"postrollSkipTimer","popupAdShow":"no","popupImg":"https:\/\/jazzineurope.mfmmedia.nl\/wp-content\/uploads\/2013\/01\/Jazz-Republic-Radio-Leaderboard.jpg","popupAdStartTime":"12","popupAdEndTime":"20","popupAdGoToLink":"https:\/\/twitter.com\/Jazzineu"}],"submit":"Save Changes","instanceTheme":"light","playerLayout":"fitToContainer","videoPlayerWidth":1006,"videoPlayerHeight":420,"videoRatio":1.7777777777778,"videoRatioStretch":false,"videoPlayerShadow":"effect3","colorAccent":"#ff9100","posterImg":"","posterImgOnVideoFinish":"","logoShow":"Yes","logoPath":"https:\/\/jazzineurope.mfmmedia.nl\/wp-content\/uploads\/2018\/08\/JIE-Logo-New-White-Final-Video-Player.png","logoPosition":"bottom-left","logoClickable":"Yes","logoGoToLink":"https:\/\/jazzineurope.mfmmedia.nl\/2018\/07\/bill-evans-an-insight-into-a-genius\/","allowSkipAd":true,"advertisementTitle":"Advertisement","skipAdvertisementText":"Skip advertisement","skipAdText":"You can skip this ad in","playBtnTooltipTxt":"Play","pauseBtnTooltipTxt":"Pause","rewindBtnTooltipTxt":"Rewind","downloadVideoBtnTooltipTxt":"Download video","qualityBtnOpenedTooltipTxt":"Close settings","qualityBtnClosedTooltipTxt":"Settings","muteBtnTooltipTxt":"Mute","unmuteBtnTooltipTxt":"Unmute","fullscreenBtnTooltipTxt":"Fullscreen","exitFullscreenBtnTooltipTxt":"Exit fullscreen","infoBtnTooltipTxt":"Show info","embedBtnTooltipTxt":"Embed","shareBtnTooltipTxt":"Share","volumeTooltipTxt":"Volume","playlistBtnClosedTooltipTxt":"Show playlist","playlistBtnOpenedTooltipTxt":"Hide playlist","facebookBtnTooltipTxt":"Share on Facebook","twitterBtnTooltipTxt":"Share on Twitter","googlePlusBtnTooltipTxt":"Share on Google+","lastBtnTooltipTxt":"Go to last video","firstBtnTooltipTxt":"Go to first video","nextBtnTooltipTxt":"Play next video","previousBtnTooltipTxt":"Play previous video","shuffleBtnOnTooltipTxt":"Shuffle on","shuffleBtnOffTooltipTxt":"Shuffle off","nowPlayingTooltipTxt":"NOW PLAYING","embedWindowTitle1":"SHARE THIS PLAYER:","embedWindowTitle2":"EMBED THIS VIDEO IN YOUR SITE:","embedWindowTitle3":"SHARE LINK TO THIS PLAYER:","lightBox":false,"lightBoxAutoplay":false,"lightBoxThumbnail":"","lightBoxThumbnailWidth":400,"lightBoxThumbnailHeight":220,"lightBoxCloseOnOutsideClick":true,"onFinish":"Play next video","autoplay":false,"loadRandomVideoOnStart":"No","shuffle":"No","playlist":"Off","playlistBehaviourOnPageload":"opened (default)","playlistScrollType":"light","preloadSelfHosted":"none","hideVideoSource":true,"showAllControls":true,"rightClickMenu":true,"autohideControls":2,"hideControlsOnMouseOut":"No","nowPlayingText":"Yes","infoShow":"Yes","shareShow":"No","facebookShow":"Yes","twitterShow":"Yes","mailShow":"Yes","facebookShareName":"Bill Evans - An Insight Into A Genius. Verchomin was 28 years younger. [20][21] He studied classical piano interpretation with Louis P. Kohnop, John Venettozzi, and Ronald Stetzel. Scott LaFaro, how one man redefined the piano trio. He later named Mozart, Beethoven and Schubert as composers whose work he often played. Evans finally settled on Marc Johnson on bass and Joe LaBarbera on drums. We needed people that were interested in each other, so that we could spend a year or two just growing, without ambitions, just allowing the music to grow. Russell wrote a suite for orchestra, "All About Rosie", that featured Evans, among other soloists. [73] During his last years he even owned a racehorse named "Annie Hall" with producer Jack Rollins. [52] On one occasion while injecting heroin, he hit a nerve and temporarily disabled it, performing a full week's engagement at the Village Vanguard virtually one-handed. Despite Israels' fast development and the creativity of new drummer Larry Bunker, they were ill-represented by the perfunctory album Bill Evans Trio with Symphony Orchestra, featuring Gabriel Fauré's Pavane. [10], During his tenure with Davis, Evans had problems with the mostly black audience. Evans grew up in North Plainfield, New Jersey, the son of Harry and Mary Evans (née Soroka). 52. During this decade, jazz was swept into a corner, and most new talents had few opportunities to gain recognition, especially in America. His friends and relatives believe that this event precipitated his own death the following year. [10][34] Davis used to tease him and Evans's sensitivity perhaps let it get to him. Evans's relatives believe that Ellaine's infertility, coupled with Bill's desire to have a son, may have influenced those events. Bill Evans Death. The 1970s also saw Evans collaborate with the singer Tony Bennett on 1975s The Tony Bennett/Bill Evans Album and 1977s Together Again. He may have played on some of Wald's discs, but his first proven Wald recording is Listen to the Music of Jerry Wald, which also featured his future drummer Paul Motian. Bill Evans was driving himself evermore towards death’s door due to his adult substance uses of hard liquor, heroin and lastly cocaine which was so easily accessible. And allowing our talents to merge in a very natural way. Evans commented "I would like to hear more of the consummate melodic master [Davis], but I feel that big business and his record company have had a corrupting influence on his material. At 22 years old Laurie had already begun her big adventure, exploring the free love of the 1970s and all that North American society had on offer. His girlfriend Ellaine was also an addict. Evans's first long-term romance was with a black woman named Peri Cousins (for whom "Peri's Scope" was named), during the second half of the 1950s. [10][46] Evans also penned the liner notes for Kind of Blue, comparing jazz improvisation to Japanese visual art. On May 26, Evans made his first studio recordings with Davis, which were first issued as part of Jazz Track,[37] and later reissued on 1958 Miles. [10][63] Most of Evans's harmonies feature added note chords or quartal voicings. Bár Davis szerint Bill Evans volt az az igazi zongorista, akire szüksége van, mégis folyton éreztette vele lenézését. Bill Evans was one of the most famous Jazz pianists of the 20th century who revolutionized Jazz. When Evans suggested he might deserve a share of the royalties, Davis offered him a check for $25. Davis had given the band only sketches of scales and melody lines on which to improvise. Evans received 31 Grammy nominations and seven awards, and was inducted into the Down Beat Jazz Hall of Fame. [72], Evans never embraced new music movements; he kept his style intact. [61] Motives may be broken and recombined to form melodies. In May and August 1960, Evans appeared in Russell's album Jazz in the Space Age for Decca, while in late 1960, he performed on Jazz Abstractions, an album recorded under the leadership of Gunther Schuller and John Lewis. After returning in February, the band performed at the New York City Hall, and then settled at Birdland, Count Basie's headquarters. [23] Years later, when asked to play it, he said it was a spontaneous improvisation and didn't know it. In the final years of his life, Bill also had to contend with the suicidal death of his older brother, and his attempt to process his deep grief. [50] In 1994, he was posthumously honored with the Grammy Lifetime Achievement Award. Evans influenced the character Seb's wardrobe in the film La La Land. A greater emphasis was placed on group improvisation and interaction, and new harmonic experiments were attempted. Every day you wake in pain like death and then you go out and score, and that is transfiguration. by Keith Shadwick | Mar 1, 2002. [10], By this time, RCA Victor had begun a series of recordings called Jazz Workshop, and soon Russell, through the intervention of McKustic and Jack Lewis, was granted his own record date. According to Orrin Keepnews, the atmosphere during the recording sessions was tense, Evans and LaFaro having had an argument over extra-musical matters; in addition, Evans was complaining of headaches and LaFaro was playing with a loaned bass. Entdecken Sie Veröffentlichungen von Bill Evans auf Discogs. I for one am fascinated by the interplay of life. In 1961, Scott LaFaro, Evans’ bassist, was killed in a car crash at the age of 25. ","facebookShareLink":"https:\/\/jazzineurope.mfmmedia.nl\/2018\/07\/bill-evans-an-insight-into-a-genius\/","facebookShareDescription":"Copenhagen Rehearsal Video 1966. Although the police put him in jail for the night he was not charged. According to Evans: "What happened was that I started to play the introduction, and it started to get so much of its own feeling and identity that I just figured, well, I'll keep going." Apart from "Nardis" and "Elsa", the album consisted of jazz standards. He became addicted to cocaine shortly before his death in 1980. The rock and pop thing certainly draws a wider audience. For me, comparing electric bass to acoustic bass is sacrilege. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. Each day becomes all of life in microcosm. [25] In July 1950, Evans joined Herbie Fields's band, based in Chicago. [47], On September 15, 1980, Evans, who had been in bed for several days with stomach pains at his home in Fort Lee, was accompanied by Joe LaBarbera and Verchomin to the Mount Sinai Hospital in New York City, where he died that afternoon. 3 4 5. Other highlights from this period include "Solo – In Memory of His Father" from Bill Evans at Town Hall (1966), which also introduced "Turn Out the Stars"; a second pairing with guitarist Jim Hall, Intermodulation (1966); and the solo album Alone (1968, featuring a 14-minute version of "Never Let Me Go"), that won his third Grammy award.[50]. "I don't think too much about the electronic thing, except that it's kind of fun to have it as an alternate voice. "[34], In July 1958, Evans appeared as a sideman on Adderley's album Portrait of Cannonball, featuring the first performance of "Nardis", specially written by Davis for the session. A forward known for being a team player who did a little bit of everything for the Wildcats, Evans played with teammates … That year, he also made his first recording, in a small ensemble, in Dick Garcia's A Message from Garcia. Gómez and Zigmund left Evans in 1978. In April 1979, Evans met Canadian waitress Laurie Verchomin, with whom he had a relationship until his death. This was groundbreaking in jazz, and soon influenced musicians like Miles Davis. Along with his studies, Evans played in mostly low-profile "Tuxedo gigs" at the Friendship Club and the Roseland Ballroom, as well as Jewish weddings, intermission spots, and over-40 dances. {"id":98,"instanceName":"Bill Evans Trio in Buenos Aires - Laurie - Ad = Paul Jost","videos":[{"videoType":"youtube","title":"Bill Evans Trio in Buenos Aires - Laurie","description":"Bill Evans Trio in Buenos Aires Volume 2.\r\nRecorded in September 27, 1979 at Theatro Municipal General San Martin of Buenos Aires, Argentina. [47], In summer 1963, Evans and his girlfriend Ellaine left their flat in New York and settled in his parents' home in Florida, where, it seems, they quit the habit for some time. While recovering, Evans recorded, as sidesman, in The Great Kai & J. J., and The Incredible Kai Winding Trombones for Impulse! It had come almost automatically, and I was very anxious about it, afraid I might lose it. Evans returned to the scene as a leader in December 1958 with the album Everybody Digs Bill Evans, which included the famous "Peace Piece," a haunting vamp for solo piano that sounds like a long-lost Satie Gymnopedie. The band appeared in radio broadcasts on Saturday nights and, on May 3, the new formation made its first broadcast from Café Bohemia (its usual locale). [48][49] Evans later showed special satisfaction with these recordings, seeing them as the culmination of the musical interplay of his trio.[33]. By the turn of the decade, Evans had met a waitress named Ellaine Schultz, who would become his partner for twelve years. During his three-year (1951–54) stay in the Army,[15] Evans played flute, piccolo, and piano in the Fifth U.S. Army Band at Fort Sheridan. Perhaps, I get the sense that the grief of Bill’s death and the traumatic moments leading up to his passing took a long time to process and like most of us, was nothing like we expect, even if we know its arrival is close. Records. The marriage was stormy owing to his father's heavy drinking, gambling, and abuse. [32], That year, Evans also met bassist Scott LaFaro while auditioning him for a place in an ensemble led by trumpeter Chet Baker, and was impressed. [34] This year, Evans won the Down Beat International Critics' Poll for his work with Davis and his album New Jazz Conceptions.

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