Let’s not mess about with snowflake ISO 1600 in this test. That might not make a big difference to pro shooters who will keep the camera attached to a tripod or gimbal, but it does impact handheld shooting. A measure of Panasonic's confidence in the GH5S' low-light chops can be seen in its ISO range. The GH5S takes the low light performance to a new level for Micro Four Thirds. Roughly halving the resolution of the sensor means the GH5S should perform better in low light levels since the photosites in the new camera are roughly 1.96x larger than those in the GH5. That never used to be the case with the Sony cameras. The next video is filmed on a Panasonic GH5s. In the comparison, you can see the GH5S low-light image quality speed ahead of the GH5 from that point. Panasonic says the new Lumix GH5S is an 'superior mirrorless camera for videography, designed and developed for professional filmmakers' and it will be available from the end of January 2018 with an RRP of &beat out;2199 / €2549.99 (body only). August 2, 2017 by Hugh Brownstone. blue: Didn't know age was a pre-disqualifier. Unfortunately, we couldn’t actually test the claims Panasonic made of it’s new GH5S until recently. That said, for most people, the standard GH5 is likely a better buy, and I would like to spend some more time doing a real shoot off between it and something like Sony’s A7S II to figure out which camera really reigns supreme in low-light. 6400 ISO. This is an important consideration for a pro video camera and I expect the GH5S to find a home on high profile shows like this immediately. Even ISO 3200 is so clean it is practically a Green party politician. The entire range, including the extended settings, is available for stills and video. As the Panasonic GH5s mirrorless camera, is the the slightly more expensive and more professional video orientated sibling of the GH5. Here I put the little nocturnal fox in the ring with the Sony A7R III, A7S II, Nikon D850 and the plain old ‘non-video-orientated’ GH5. GH5s gives a better lowlight image at ISO 6400, same at 12800, slightly less at 20000, 2 stops less at 102400. It is a dual native ISO sensor in the GH5S and it shows. Better Low Light Performance As alluded to above, one of the most significant advantages with the new Panasonic GH5s is it’s low light capabilities. It offers a range of 160 to 51200 ISO with extended values down to 80 and up to 204800 ISO. That's a result of the larger pixels and dual ISO on the 4K-optimized sensor. I’m reserving that for another article and test though. My first comparison came between the GH5S and my everyday shooter, a Samsung NX1 (not the most up-to-date rival, I know), with both cameras set to f/2.8 at 1/40th of second on ISO 6400. Really, they are quite similar for most people and I can’t see very many GH5 users getting rid of the camera so soon, losing IBIS in the process, for the more expensive GH5S. LUMIX has reached extraordinary new heights in recording low-light, high-quality images that greatly expand the possibilities for video creators. Sounds complicated? They all seem to quote the sensor size as 17.3mm wide (same as the GH5) but this is for STILLS mode in 4:3 aspect ratio. The Panasonic Lumix GH5S is a new flagship compact system camera aimed at professional videographers. That’s because it’s missing the GH5's in-body camera stabilization. The Panasonic GH5 starts to fall behind at ISO 6400. There are two things I noticed when I first picked up the GH5S. While the A7R III is a hybrid camera for the masses, the GH5S is like a pro video camera in a hybrid form factor. You are getting a 400Mbit/s ALL-I codec on the GH5 and GH5S, but does it make a HUGE difference here? Panasonic recently launched the new LUMIX GH5S camera, which is said to be the successor to the previous LUMIX GH5. GH5S Key Features: 10.2MP High Sensitivity MOS sensor for improved image quality in low light Above that and the GH5s becomes noisy but that is a full 3 stops better than the GH5 which is impressive. Building on the Panasonic Lumix GH5, the GH5S … 0. “The LUMIX GH5S achieves highest-ever image sensitivity and video image quality in the history of LUMIX cameras, especially in low-light situations,” the company says. Try not to under-expose these cameras in low light. This gives you the first clue as to why 5 axis IBIS had to go away on this camera. The GH5s has no problem filming low light video at 3200. Every digital camera has a native ISO where it operates optimally. provides a crisp live view and high visibility even in sunny shooting conditions. Almost like having it set to native ISO. That high ISO was welcome in the super dim rooms at the McKittrick, which were often so dark that other writers and vloggers pulled out their smartphone flashlights to help find their way around. It’s only once you push past than into ‘special use’ one off mega high ISOs that you see it’s worth. Yes it is a shame to lose the stabilisation, but for shows like The Grand Tour on Amazon, they’ll have fewer vibration problems from the GH5s being used as a POV camera inside a car. 10.2Mp Micro Four Thirds compact system or mirrorless system camera that’s designed with videographers in mind provides a crisp live view and high visibility even in sunny shooting conditions. Sensor. On the other end of the spectrum, the GH5S uses its ISO 2500 native setting to handle low-light images, which spans everything above ISO 800 all the way to the GH5S’ max ISO of 51,200. Not only are the pixels nearly 2x larger than the GH5, the sensor is larger. That larger sensor makes a difference to the field of view of your Micro Four Thirds glass too. The ‘Low ISO’ range from 80 – 800 and the ‘High ISO’ range from 800 – 51200. While the NX1's shot is certainly bright, everything else about its image shows how far ahead the GH5S is. Comparing the GH5S directly to the A7S II isn’t really a fair fight, so I thought it’d be more interesting to see how close I could get to matching Sony’s low-light monster with any and all help I could find on the LensRentals shelf. Add to that, if you like, a 1.5 stop Speed Booster to raise illumination even further. You can go to the next slide after 1 second. It has a bright red record button that was a departure from the GH5, and its a lot lighter. For reasons beyond my understanding the cast of the theater experience was on hand as models. What the Panasonic GH5S and Sony A7R III both have in common is that they are MUCH cleaner in Hybrid Log Gamma mode at ISO 12,800 overexposed by 1-2 stops, rather than shot in plain old Rec.709 standard color at ISO 6400. The first model since that camera to go back to the oversized sensor, and a locked-down one at that. The GH5S does deliver on it’s low light promise, even vs the best 4K full frame cameras. The GH5S is a camera which leans farther into the video capturing niche compared to the LUMIX DC-GH5, while the “S” in the new name stands for sensitivity – especially light sensitivity in low lighting that has been boldly billed as one of the main highlights of the camera. While its Micro Four Thirds sensor’s 10.28 megapixels might seem underwhelming on paper, each of the pixels is physically large in order to capture … Panasonic has also included its Dual Native ISO Technology to reduce the risk of background image noise in low-light conditions. Follow the explanation from LUMIX Ambassador Steven Clarey about Dual Native ISO and see, how the great Low Light sensitivity in LUMIX S1H and GH5S are achieved. One thing I do notice about the GH5S (although this is with version 0.2 firmware) was the noise reduction is a bit on the heavy side and the exposure seems a bit darker than the A7R III at the same ISO, shutter speed and aperture. Unlike the GH5, the GH5S comes with V-LOG-L out of the box. These websites are stupid because this is primarily a VIDEO camera with a multi-aspect ratio sensor that is wider in 16:9 4K than in stills mode! At the iconic McKittrick Hotel in Manhattan, Chris educates us on the multi-aspect sensor and its unique capabilities. The 10bit codec makes for a solid V-LOG-L and the low light performance is a definite step up from the GH5 though, highly noticeable at anything past ISO 800. I need to double check the result to see what the noise reduction is doing, so take that one with a slight pinch of salt for now. Both images from 16000ISO on would rather not be used for cinema projection. Some of the tree detail in the test shot isn’t coming out very well on the GH5S compared to the Sony. As a camera that excels at shooting in low light, the LUMIX GH5S boasts -5EV luminance detection performance with Low Light AF thanks to the increased sensitivity and optimised tuning of … I also added the Nikon D850 and Samsung NX1 to the test video. Roughly halving the resolution of the sensor means the GH5S should perform better in low light levels since the photosites in the new camera are roughly 1.96x larger than those in the GH5. How did Sony manage it? So the GH5S is much more like the GH2. Feb 12, 2018 permalink. So the GH5s is already ahead in low light situations, then consider if DoF is an issue the GH5s has and EXTRA 2 stop advantage and if DoF is not an issue, one can put a speed booster on the GH5s for a 1 1/3rd extra stop advantage (or use an F/1.8 zoom with an extra stop for a 2.3 stop advantage over FF zooms). The independent voice on cameras for filmmakers and photographers, by Andrew Reid. This should also translate into a 1.5-stop improvement in signal-to-noise ratio, producing images that are cleaner with lower noise levels. "LUMIX Tether" Camera Control PC Software The LUMIX GH5s allows tethered shooting via USB with "LUMIX Tether" PC software. Supporting video recording in the highest 4K quality without cropping, and a high sensitivity 10.2MP MOS sensor, the GH5S produces simply stunning films, whenever inspiration strikes. But last week, I got a chance to check out the GH5S’s low-light capabilities. As others have noted, the GH5s crushes the GH5 in low light, with substantially reduced grain at higher ISO settings. The mighty A7S II low light camera model barely displays any advantage at ISO 12,800 and can’t do Super 35mm mode in 4K due to the low megapixel count. There's no question that the Panasonic GH5S is a video-centric mirrorless camera that specializes in shooting in low light, although tests reveal that still quality should be sufficient for many uses. In my opinion, the GH5S is a more specialized camera and less of an all-rounder than the GH5. I didn't make the decision to purchase the camera, but it was purchased mostly for it's low light performance, due to houses being anywhere from dark as a … Its mirrorless design enables the high performance, durability, mobility and low light gathering needed for professional Cinematic and Anamorphic 4K video production. If only that tech could trickle down to a less premium camera model. It has a new 10.2-megapixel Digital Live MOS Sensor, Venus Engine and Dual Native ISO technology, which combined together make it the most capable low-light Micro Four Thirds camera currently on the market. Copyright © 2010-2020 EOSHD - Andrew Reid, The EOSHD 5D Mark III Raw Shooter’s Guide, The EOSHD Anamorphic Shooter’s Guide 2nd Edition, The EOSHD Sony A7 Series Shooter’s Guide to Full Frame Lenses. Exceptional low-light performance is a key capacity for professional videography, and you’ll enjoy this and much more with the new LUMIX GH5s! Does dual native ISO on the Panasonic S5 beat the Sony A7S III in low light? Yes, a full frame sensor helps but that is a HUGE difference in how many megapixels are crammed in. The 3.2-inch LCD monitor (1,620k-dot approx.) The Panasonic Lumix GH5S is designed to be the best low-light video/photography camera available. Proving that they can push the GH-series even farther into the video realm, the Panasonic Lumix DC-GH5S is a mirrorless Micro Four Thirds camera optimized for movie recording and low-light performance. The next video is filmed on a Panasonic GH5s. ISO 12,800 is perfectly usable now. But my concern is if I can acceptably intercut the two cameras for the interviews. The GH5 isn’t hard to best in low-light, so let’s bring out a more competent challenger. And with the GH5S’s dual native vlog ISO’s of 800 and 5000 and extended ISO going all the way to a mind-bending 204,800, I will definitely want to compare the GH5 and GH5S in low light. Take your pick – higher resolution stills and 5 axis IBIS will satisfy most people on the GH5 – but the low light and larger sensor on the GH5S are irresistible for filmmakers. I wish Panasonic would have added a few more features to the GH5S to distinguish between it and the GH5 out of the box, rather than just the new sensor, V-LOG and timecode in/out port. The $2,500 GH5S, unlike the $2,000 GH5, features a 10.2-MP micro four-thirds sensor that captures half the resolution of its more affordable sibling in return for increased ISO performance. But what especially surprised me was how many usable shots I was getting at ISO 6,400 and 12,800. And these are just the unedited JPEGs! I’d choose the A7R III over the A7S II in a heartbeat. Both images from 16000ISO on would rather not be used for cinema projection. Harv’s review of EOSHD Pro Color V3 and a handy exposure guide, Nikon facing serious crisis in chipmaking – as well as camera business, Pro camcorder ergonomics are overdue a big change. On the other end of the spectrum, the GH5S uses its ISO 2500 native setting to handle low-light images, which spans everything above ISO 800 all the way to the GH5S’ max ISO of 51,200. Today we figure out how high you can actually take your ISO without losing color information and detail.
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