The new Sony FX9 takes the FS7’s body, but turns it into an Olympic athlete in the Sony camera line. The Imageeval(ez_write_tag([[300,250],'4kshooters_net-banner-1','ezslot_7',145,'0','0'])); Perhaps one of the most surprising comparisons has to come with the image quality and features. Sony FX6 – a mini FX9? And it’s called the Sony FX9.Designed with the best technologies from the VENICE and A9, the new FS9 has roughly … Unlike the FS7, the Sony FX9 shoots full frame, and in *6k. âThe new FX9 camera will do 23.98fps, but not true 24fps,” DP Jeff Granberry said. That is certainly something you need to think about. Copyright Â© 2018 Film Crews, Camera Crews & Video Production All Rights Reserved. The FS7 has been the leading champion among most filmmakers and a great bang for the buck. However, the FX9’s higher resolution provides generally better footage, plus there are all the usability points that don’t fit nicely in a head-to-head comparison. Last year we shared how the Sony FS7Â has continued to reign supreme on our camera usage reports for the past three years. You can think of the FX9 as a hybridized version of the FS7, the upmarket Venice digital cinema camera, and Sony’s Alpha series of DSLM cameras. Although the FX9 came out in September 2019, it wasnât until February 2020 that the new camera hit the top 10 of our monthly camera usage report: Previous data collected from our camera usage reports from 2014 shows that the FS7 didnât make it into the top 10 of our most used cameras until April 2015, six months after its release. Which one to choose? The use of the Sony E-Mount means you can add low cost Sony power zoom lenses or control Canon lens apertures via low cost and compact adapters, this is much harder (and more expensive) on the F5 and F55. eval(ez_write_tag([[250,250],'4kshooters_net-leader-1','ezslot_9',147,'0','0']));Then there is a lot of undefined quality from the FX9 footage, such as pleasing highly roll-off and natural skin tones, that just do make a difference to filmmakers. Still, there’s a lot of good in the a7S III so he breaks down all the differences. From the Venice, the FX9 has inherited dual-base ISO technology, meaning the FX9 can switch between shooting modes with an ISO of 800 or 4000. The FS5 really was a specced-down version of the FS7, with a weaker codec. Black compares both to help himself and everyone else figure out which is the right camera for them. If you’ve had a chance to shoot with the new FX9, let us know below what your thoughts are. FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories, including U-series batteries, chargers, E … **Dust and water resistance does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. Regardless of location, we have the perfect video crew for you! The Sony FX9 version uses an entirely different connector for the cord to the camera. I should add that Sony FF (or Super-35) cine cameras have an E mount, and make full use of the 80 or so Sony lenses. - Sony XQD Media with SXS Express Adapter $4.40 per GB. Aspect Ratios. Having now been on the market for over half a year, several of our Crews Control DPâs have tried out this new camera on corporate video shoots. The two most exiting camera just announced – Canon EOS C500 Mark II and Sony PXW-FX9! Sony hit the market at nearly the same time with their full-frame mid-tier option. Sony announces both the FX9 and Z750 professional video cameras.. What would you get if you threw a boatload of Sony Venice and A9 parts on a table and challenged Sony engineers to make a run and gun camera? The Sony FX9 is also a full-frame sensor camera with a 6K oversample for a final 4K output. It is all that those cameras offered but now on a state of the art Full Frame sensor with Dual ISO capable of 800 and 4000 depending on the needed use. It is a game changer in 4K, where critical focus is absolutely necessary- and unforgiving.â, Face Priority/Face Only Mode: One of the most advance additions to this camera is the facial tracking option.Â There are face priority and face only modes, which are useful when you know you want the camera to focus on people. The FS7 is basically the F5 but: - No SR RGB 4:4:4 or SR RGB 4:2:2 available on the FS7 - No side LCD - FS7 has e-mount vs FZ - FS7 has LANC remote port for use with smart grips - FS7 has audio pots - FS7 has XAVC-I and XAVC-L (Long) codec - FS7 has dual XQD media card slots vs SXS The a7S III has better options with similar bitrates, putting it weirdly ahead. Your email address will not be published. But in the hopes that we can resume business as usual in the near future, we reached out to some of our top crews to ask how the Sony FX9 will impact future corporate productions. With Sony’s latest and greatest mirrorless releases of the a7R II and a7S II, this line has been blurred even more, and this is the reason we set out to determine if these supposedly lower-end 4K video-recording options can hold up when put side by side with one of Sony’s professional 4K video cameras, the FS7. Sony FX9 vs. FS7. Like for many other shooters who shoot a lot of “cinematic” looking documentary and corporate content, the Sony FS7 has been my main camera for the past 5 years. Sony FX9 First Look with Philip Bloom “Sony’s PXW-FX9, whilst it isn’t officially a replacement for the FS7 and FS7 II, it is clearly the successor to these hugely popular cameras. I mean there is the obvious in that the FX9 has a different cinema-centric design with lots of buttons and controls and dials, but Black points out that one of the most important differences is the integrated variable ND filter. The FX9 follows the same pattern. Both the Sony FX9 and Canon C300 Mark III are proven swiss army knives in the world of solo shooter filmmaking. The quality differences in recording quality between the FX9 and FX6 are less distinct, however, but let’s get to this a little bit later. If you are an indie filmmaker you can take the same money you would’ve spent on an FX9 and bought two a7S IIIs with plenty of cash left over for accessories, other equipment, or to invest in your next film. The FS7 boasts internal 4k UHD 10bit 422 up to 60fps, and up to 180fps 1080p in 10bit 422. At it’s most basic, the FX9 is the reliable workhorse camera that will most definitely get the job done. Your everyday shooter will love the a7S III. “24fps is reserved for the Sony Venice camera. Adapters for Canon lenses for the FS5 and FS7 start at $50 while for an F5/F55 adapter prices start at $800. How Different Industries Utilize Training Videos, The Changing Role of the Traveling Producer, White Balance Exposure Mode is automatic, custom, preset or manual, External 16-bit RAW recording with add-on unit, 10-bit S35 4K at 120fps to an external recorder. Having things like XLR inputs, multiple audio channels, SDI output, etc. Whatever you need, we've got the perfect crew for the job. However, updates (the Mark IIs) for both had lackluster responses. eval(ez_write_tag([[300,250],'4kshooters_net-box-3','ezslot_6',143,'0','0']));Sony certainly surprised us all with just how good the a7S III turned out to be. Recording options for frame rate show where its 12MP sensor shines, as it has full-frame 4K recording up to 120p, while the FX9 is limited to Super 35mm for getting 4K 60p. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. When using Power Zoom (PZ) lenses you can smoothly zoom in and out during recording. But Sony has given the FX9 many improvements over the FS7 that could significantly impact video productions. When Sony introduced the PXW-FX9, they were marketing it as a new camera in the Cine Alta line, and not necessarily as a replacement to the FS7, which is one of the most successful large sensor cameras in Sony history. Sony FX9. The FX6 looks like a mini version of the FX9, and it’s easy to compare the two to the Sony FS7 and FS5. This makes it a little tricky to do a side-by-side, but Potato Jet has done his best to zoom-to-match in this comparison. The biggest difference between the Canon C300 Mark III and the Sony FX9 is the sensor size. But will it overshadow the success of the FS7 for future video shoots? The FS7 had five years of exceptional success and fandom. We estimate it will take several more months, if not years, for the FX9 to beat the FS7 in our monthly camera usage reports. Last year we shared how the Sony FS7 has continued to reign supreme on our camera usage reports for the past three years. The first thing that strikes you is the size and weight. And if you’re a producer hoping to try out this new gear when video shooting resumes, reach out to us here at Crews Control to get started. Jeromy Young, Atomos CEO, said: “I’m thrilled to be working with the team at Sony to bring this to life. That's crazy. This camera is … FX9’s buttons, dials, and other parts are sealed to prevent dust and water spray from entering for even greater operational reliability. Sony FX9 and the Atomos Shogun 7 Shogun 7 and ProRes RAW. Actually, I bought a second one a few years after the first one, because there was so much demand on shoots. The FS7 and FX9 implement the E mount with a locking collar, which is much stronger than the flange used on the FS5 and Alpha cameras. Â âI was doubtful at first, but the speed and accuracy in sports, or a fast-moving subject, is better than I am! The enhanced Fast Hybrid AF system includes customizable AF transition speeds and sensitivity settings. The asterisk there is that Sony claims 6K, but the sensor is actually a downgraded version of 6K that gives the user an upgraded 4K look that is more crisp than other 4K’s seen. If I were to change something about the Sony FX9, it would be the extension arm for the handgrip. Drama in Dallas? It has incredibly low noise imagery, which is kind of the original point of the S series. It depends on the lenses you are going to use it with. Rent daily or weekly! Currently with the FX9, you cannot load a LUT into the camera, but they can be used in post. G-Master Series: Along with the S-Cinetone, the E-mount lens works great, and the G series lenses work even better now that the G-Master (GM) series will follow. Sony PXW-FX9: 6K Ready. The FX9 with XDCA-FX9 joins the existing Sony RAW capable line-up of FS7, FS7 II, FS5, and FS5 II, which all work with the Shogun 7 to record in ProRes RAW. Another difference is the hand grip with zoom rocker on the FX9. Upon releasing that article out to you, Sony announced its newest addition to the Sony family: the Sony FX9. Now, the FX9 capitalizes on its excellent design. Not a big deal, but my iPhone will shoot 24fps.” A Canon C300MK2 has no issues shooting 24fps as well. But with the world and industry changing so quickly, who knows? The handgrip that comes with Sony FX9 is very similar to the version from the Sony FS7; however, these handgrips are not interchangeable. Of course, at being out for less than a year, this camera does have its downfalls. Filmmaker Austin Black is a recent FX9 owner and he had to ask himself, “Do I regret buying the FX9?” Now, these two cameras are still very different, but is there enough to justify the FX9’s much higher price tag? ** *BP-U30 and XDCA-FS7 are not compatible with the FX9. eval(ez_write_tag([[300,250],'4kshooters_net-large-mobile-banner-1','ezslot_11',148,'0','0']));The FX9 is still the better choice for professionals even if the a7S III is getting everyone super excited. Their 35.7 x 18.8 mm sensor is also equipped with fifteen stops of dynamic range. Here are some FX9 favorite features from our crews: S-Cinetone: The S-Cinetone is a game-changer when it comes to more appealing skin tones and a greater cinematic look for color gradation with a smoother pallet.Â Â The S-Cinetone delivers super accurate skin tones that are a more accurate representation of what is in front of the camera, and more pleasing to the eye. It has just recently announced the successor to the already popular FS7, and its called the PXW-FX9.The FX9 has been crafted using elements from both the Sony Venice and the Sony … The new sensor supports S-Log3 gamma as well as S-Gamut3 and S-Gamut3.Cine color space, and a new S-Cinetone color setting (it “deli… Upon releasing that article out to you, Sony announced its newest addition to the Sony family: the Sony FX9. Website Designed by Home & Built by MVMG. ** *BP-U30 and XDCA-FS7 are not compatible with the FX9. Sony plans to update the exclusive 16:9 ratio later to include: UHD … FX9’s buttons, dials and other parts are sealed to prevent dust and water spray from entering for even greater operational reliability. Rent it at affordable daily and weekly rates today Totally helps out when shooting an interview.”. Canon sells the following two adapters, both with shim kits: 1. Today, the company has announced the new Sony PXW-FX9 and the FE C 16-35mm T3.1 G wide angle zoom cinema lens, unleashing the powers of your full-frame creativity. “Definitely love the super-fast and accurate Fast Hybrid Auto-Focus when using the Sony G-Master series lenses â it really works!” DP Mike Audick said. Required fields are marked *. Low-light performance is where the a7S III wins. When shooting S-Log3 the FX9 has much less noise at 4000 ISO than the FS7 at 2000 ISO. Sony has announced some big products this year at the IBC. Sony FX9 with XDCA extension unit Time lapse in Tokyo? There is less fixed pattern noise and less noise in the shadow areas. It's tiny compared to the FS7 and at under a kilo, it's incredibly light. Whilst the FX9 is essentially a full frame version of the FS7 (with other improvements and additions of course), the C500 Mark II is a completely different beast to the C500 Mark I and perhaps should have been named something completely new to set itself apart from the original that was a bit of a commercial flop. Panasonic GH5 Can Record in 10bit 4:2:2 But What Does This Mean? The FS5 is, by Sony's on definition, a Grab and Shoot Handheld system. Save my name, email, and website in this browser for the next time I comment. Back to all posts. We've got everything else covered. Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. LEARN MORE Perhaps this is the standard for gradual pick-up for new cameras in our industry, but it is still worth noting. Fx9 has a Fast Hybrid AF with 561 focus points covering 94% in the horizontal and 96% in the vertical while in full-frame mode. Canon has outfitted the C300III with a Super 35mm image sensor whereas Sony went big with a full-frame imager. If you’re using cine lenses or heavier zoom lenses then definitely yes. Of course, this was before the global pandemic COVID-19 shook up the world and media industry. Your email address will not be published. Now international lockdowns are being enforced and almost all on-location video productions have been postponed. Posted by Janine Cannon on April 8, 2020. It’s not quite all that different in practice it seems. I have collected the currently available specification information in o… “One of the biggest pluses for this camera is the facial tracking option it. Many DPâs are enjoying the new features of the FX9 that are absent on the FS7, but there are definitely some parts where the FX9 is lacking.Â Several cool features also won’t be available with this camera until the first firmware update- which has not happened yet. If you need to find the best video production camera crews in the business, anywhere on the planet, with specialist skills, but very little notice â then give us a call. Claim your copy of DAVINCI RESOLVE 16 - SIMPLIFIED COURSE with 50% off! Perhaps one of the most striking differences in image quality between the FS7 and the FX9 is the lack of noise. It offers some advantages such as faster frame rates and a smaller form factor. Unlike the FS7, the FX9 shoots full-frame with a 6K sensor and has, what some say, the best facial-focus and most accurate, lifelike colors you can lay your eyes on. EF locking (CM-V1) 2. Going deeper into what makes the FX9 better is in how it is positioned in Sony’s lineup. Highlights and Shadows âThe S-Cinetone built-in look of the camera is awesome right out of the box,â DP Ted Yasi said.Â “The color science that they are using on the FX9 is light years ahead of what was employed in the FS7.”. Fast Hybrid Auto-Focus System: The most loved aspect of the FX9 across the board is the auto-focus system. âI have never owned a camera that I have used auto-focus on, but I use it on this camera!â Yasi said. âIâve now shot over 20 projects with the new FX9 camera and I am totally enjoying it,” DP Michel Bisson said. Going deeper into what makes the FX9 better is in how it is positioned in Sony’s lineup. Get Instant Access! Bolt offers the Sony PXW-FX9 that can be tailored to your shooting needs. The closest competitor to this camera when first announced was Sony's own F5, which strangely enough at the time did not even have 4k internal recording, yet the camera body alone started at $15,999.99. Yet the FX9 gives this leading camera a run for its money. You bring the vision. The GM series seems to have the greatest AF showing, but these lenses come at a steep cost at around $2,000. Color is similar, with S-Log3 providing excellent flexibility and dynamic range. The standard EF mount is non-locking. Expanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. eval(ez_write_tag([[580,400],'4kshooters_net-box-4','ezslot_5',144,'0','0']));For Black, the short answer to the question of whether he regrets his FX9 purchase is simple: there’s a lot to like about the FX9. The FX9 does have S-Cinetone and that has been considering Sony’s best when it comes to color science. I think Sony have been pretty clever with the design as … Why would you ever need something like the FX9 when the much more affordable a7S III is out? When it comes to actual quality, the S-Log3 footage from the a7S III appeared to grade very similarly to the FX9. Check Out this Dope After Effects Actor Replacement Technique. Not Quite 24fps: A surprising aspect of this new camera is that the fps canât make it to 24fps, while a standard iPhone can. eval(ez_write_tag([[580,400],'4kshooters_net-large-leaderboard-2','ezslot_8',146,'0','0'])); I would add on that the FX9 will likely deliver an image with more detail as it downsamples from a higher resolution sensor than the a7S III. There was a lot of worry about Sony trying to protect their high-end cinema cameras and cripple the a7S III in a few ways. It is similar between the two. Might as well start with the most obvious of differences: the physical design. DaVinci Resolve 17 + M1 Macs – Can You Edit 8K RAW in Real-Time? The a7S III is still closer to a generic mirrorless camera in color science. For autofocus both cameras have solid AF performance. Three Easy Creative In-Camera Tricks You Can Do Right Away, Sony VENICE Firmware 6.00 to Be Released on Dec 15th. Think about it this way. Any Country. If you’re just using Canon still lenses then probably not. Any Time! The FX9 with XDCA-FX9 will join the existing Sony line cameras (FS7*, FS7 II*, FS5** and FS5 II) which all will work with the Shogun 7 to record in ProRes RAW. Right off the bat, the FX9 is following suit with the FS7. With amazing low-light dual-base ISO, the eye-capturing S-Cinetone, impressive AF, and an easy to use menu, the FX9 is a valuable purchase for DPs everywhere. A huge difference between the FS7 series and FX9 is that FX9 has a very acceptable autofocus that has been added to Sony’s cinematic camera for the first time. It is above the FS7 for a few reasons, but in a direct comparison the full-frame sensor can deliver greater image quality and still provide all the Super 35mm options you want. Bolt Productions has quality FS7 Accessories rentals for all your production requirements, featuring the Sony FS7 Extension Unit. It is above the FS7 for a few reasons, but in a direct comparison the full-frame sensor can deliver greater image quality and still provide all the Super 35mm options you want. Sony FX9 vs a7S III – Which is Right for You? After seeing the specs of internal 4K up to 120 fps in 10-bit and a variety of new recording formats it looked almost too good to be true. At 800 ISO the FX9 is just a little bit better again. The built-in ND filter makes it so you need fewer accessories to get shooting and makes a much better shooting experience. **Dust- and water-resistance does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. However, all these options are relevant only if you have Sony’s external recorder plus a specific license (required in some cases). The oversampled 4K recording modes will just deliver much better image quality compared to the a7S III. Sony has made something even better than the FS7. Well, the answer is the follow up to the popular FS7 line. The new Sony PXW-FX9 XDCAM 6K Full-Frame Camera is what Sony fans have been waiting ever since the APS-C cameras Super 35 cameras like the FS5 and FS7 made the rounds. Now, if you already have an FX9 the a7S III is a perfect companion. The original Canon C300 was a spectacular success for Canon, and the FS7 was a spectacular success for Sony. Sony FX9 – Based on the FS7’s Success. The FX9 also has delivered incredible flexibility in post, with footage that can be pushed and pulled very easily. The Canon C500 Mark IIis definitely more expensive on paper. Sony is kicking off the 2019 International Broadcasting Convention (IBC) with exciting new additions to the brand's full-frame cinema lineup. Crews Control, Inc. Headquarters 11820 West Market Place, Suite L Fulton, MD 20759. EF to PL mount (PM-V1) … It’s great to add the Sony FX9 to the large and expanding ProRes RAW family. DJI RS 2 and RSC 2 Get 3D Focus System Support, Remote Control for Various Cameras and More. Should you opt for a locking mount? This is definitely an interesting area of comparison since the a7S III might win out based on these few specs. Sony FX9: How It Stacks Up to the FS7. There also might be a dual gain feature at ISO 16,000. The Dual Base ISO for day or night shots is also a favorite feature for many DPs.Â Here are some of the other features of the FX9: There are many similarities between the two cameras, like the dual XQD cards and XAVC-I codecs. Any City. Starting with formats, the FX9 has professional formats like XAVC-I while the a7S III uses up to XAVC S-I. CEO interview in Caracas? Based on just these points it could be easy to declare the a7S III the winner. LUTs: The in-camera LUTs still have some limitations. Despite these flaws, the FX9 appears to be the new favorite among Sonyâs cameras.Â While right now may not be the best time to invest in a new camera (considering the starting price is $10,999 for the camera body, or $13,499 in a kit), the FX9 is believed to be a step above the FS7. âI would like to see the LUT options menu improved right away,â DP Joe Lipari said. Hard times.
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