It is a step above its predecessor, the G6, in every conceivable way. BUT — this is pixel-peeping. It's a strong feature set on paper, but how does it perform in real-world and studio testing? Compared to Panasonics DFD compatible lenses. I see you live in Paris yet can't seem to find a single decent shot in your gallery, that's very odd seeing that I've seen shots of Paris taken by ugly rubber tough cams which are better than any of yours so I guess you must have used an even uglier camera. The Alpha 6000 shows similar results; it focuses in 0.02-second in bright light, and locks on in 0.8-second in very dim light. Hard to see the logic there. Across the board, no blurring. We compare the Canon EOS R6, Nikon Z6 II, Panasonic S5 and Sony a7 III. Strange, begrudging review... An example: One feature that G-class users love is the Q-menu, a button to instantly access your own secondary controls (the primary ones being assigned to the custom buttons). CIPA's latest report for global camera shipments shows the camera industry is gaining pace once again in a year marred by the COVID-19 pandemic atop a market already in decline. It depends on your enthusiastic comment. i wouldn't base my camera choices on marketing. The Power switch sits adjacent to the dial, with the programmable Fn1 (EV compensation, by default) and the Record button sharing space on the top plate. Autofocus performance in video mode is the same as GH2. Sony's is selling more APS-C E-mount than A7 series. But a close look at our ISO test image, viewed at full resolution on a calibrated NEC MultiSync PA271W( at Amazon) display shows there's definitely a loss of detail; fine lines are smudged and blurred. 16MP isn't exactly cutting-edge at this point but 4K (UHD) video remains something of a rarity (at the time of writing), especially if you factor-in the fact that the G7 also offers focus peaking and zebra highlight warnings - two of the key tools necessary for shooting useable video that are often absent from its peers. PCMag, PCMag.com and PC Magazine are among the federally registered trademarks of Ziff Davis, LLC and may not be used by third parties without explicit permission. Looks OK-ish to me, and I hold several design awards, so maybe it's all in the eye... Actually, I must agree that it's not as handsome as the G6! Like earlier single-digit G-series models, it’s styled like a mini DSLR, although the organic curves of the previous G6 have been switched for a more angular appearance and there’s changes to the controls I’ll cover in a moment. But that was a one-time decision that took about 10 seconds of thought. What is the sound quality like of video that is recorded? It's refreshing to get some criticism. If you are saying that the G7 focuses better with Olympus lenses than with Panasonic, I would just say that in my experience that is truly lens dependent. https://www.pcmag.com/reviews/panasonic-lumix-dmc-g7, Jim Fisher is our lead analyst for cameras, drones, and digital imaging. I think the only thing the Oly EM1 body has over my GX8 is out of camera jpg colours and that's about it really. The specifications are pretty solid, too. Think of the G7 as a faster, better handling G6 with the added benefit of the 4K functionality.I shall wait until the FZ330/300 production reviews/availability and rather than upgrade to G7 may well upgrade the FZ200 to the FZ330 for its weatherproofing and 4K functionality. I've been working my way through the new lumix cameras - LX100, G7 and now FZ1000. I think the same, most reviews should(not must) point out the weaknesses in the cameras, as the strong ones are already said in commercials or ads. Check out the winners of the 2020 DPReview Awards! Those cameras that don't have built-in image stabilization tend to be sold with image stabilized lenses so that, as a package, they offer similar capabilities. In our latest buying guide we've selected some cameras that might be a bit older but still offer a lot of bang for the buck. Looks quite nice actually, the specs are good too.
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